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by  |  16-Jul-2016 06:09

And this fantasy doesn’t have much room for South Asian women.

Their choices are reflective of the stubborn limitations of an industry where straight men still dominate, and where whiteness remains an integral component to what love looks like onscreen.

Following the May debut of its second season on Netflix, Aziz Ansari’s Master of None is the most talked about romantic comedy on TV right now.

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You can also see it across Apatow’s oeuvre, in films like Knocked Up.

Apatow even produces a Netflix show that centers on an awkward, bespectacled white comedian named Paul Rust — and it’s simply called Love.

Ansari, whose star rose by playing silly but slightly misogynist men in projects like Funny People and Parks and Recreation, begins the second season of his show with a black-and-white episode set in Italy called “The Thief,” a play on Vittorio De Sica’s Bicycle Thieves, and a 30-minute romantic comedy on its own.

It features a dreamlike encounter between Ansari’s Dev and a British woman named Sara, who is black (played by Clare-Hope Ashitey).

There’s a scene early on in the new romantic comedy The Big Sick, where the comedian Kumail Nanjiani (playing a version of himself) is sitting next to his girlfriend Emily (Zoe Kazan), talking about wine.

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